multichannel the exo-sensing

Body electric

Automates of artificial voices

“Organs of the Voice”, plate from Antoine Court de Gébelin’s Primitive World (ca. 1773–1782) — Source.

Plates depicting the components of artificial and natural speech from Wolfgang von Kempelen’s The Mechanism of Speech (1791) — Source.

It pronounced words such as “Mama” and “Papa”, and uttered some phrases, such as “you are my friend—I love you with all my heart”, “my wife is my friend”, and “come with me to Paris”, but indistinctly.44

“The sounds of speech become distinct only by the proportion that exists among them, and in the linking of whole words and phrases.” Listening to his machine’s blurred speech, Kempelen perceived a further constraint upon the mechanization of language: the reliance of comprehension upon context.4

Faber’s talking head was modeled on Kempelen’s and Mical’s, but was far more elaborate. It had the head and torso of a man once again dressed like a Turk, and inside were bellows, an ivory glottis and tongue, a variable resonance chamber, and a mouth cavity with a rubber palate, lower jaw, and cheeks. The machine could pronounce all the vowels and consonants, and was connected by way of levers to a keyboard of seventeen keys, so that Faber could play it like a piano.

Photograph of Joseph Faber’s “Euphonia” talking machine, ca. 1846 — Source.

Source

Article: https://publicdomainreview.org/essay/early-androids-and-artificial-speech/

Edison_doll with phonographe

source: Living dolls a magical history of the quest for mechanical life Wood Gaby

Invisible sounds and fluids

L'influence des planètes sur le corps humain", Franz Antoine Mesmer, 1766

"Un fluide physique subtil emplit l'univers, servant d'intermédiaire entre l'homme, la terre et les corps célestes, et entre les hommes eux-mêmes "

A subtile fluide fills the univers used as an intermediary between men, the earth and celestial bodies and between the men themselves"

The sound of the invisibles

The arrival of télecommunications and numeros technological inventions and scientific discoveries of the 19th c. derived the human to human intercation and made place for a relationship invisible energies and entities that were inviting themselves, manifestating through raps, knocks, cranks, lights, ectoplasmic slime and moving objects in domestic houses with no distinction of social class.

The spiritualist formed a mouvement that entered the United states and the Europe in (1848 Fox sisters). Sounds that seem to be produced by invisble entities trying to communicate with the living from another world. Mediums were interfaces between the living and non living, there bodies would be visited and used to communicate through sounds, regular spirits companionions that would travel with them and appear or be heared in medium seances.

Spirit trumpets, ouja boars, planchetta and other wierd instruments were created to communicate more efficantly with entities who had messages to pass.

Télécommunications with the 1st electrical telegraphe started laying cables to interconnect the atlantic to europe channeling human voices, unknown energies that were later discoverd as natural electromagnetique effects of the inosphère (VLF). Conductive elements such as eath, salt water and metal parts started to become wires or antennas that would recieve chaotic messages where the invisble starts to become audible as if electricty and media were interfaces that were prone to be easily modulated or interfeed with non materialistic entities or distant human voices that seemed to spill to other destinators. Barbeled wires from farms would have tiny voices emanting form the 1st transmissions of radio waves or solar activting whistling on telephonic conversations.

The phonographe of Edison 1877

EVP (Electronic Voice Phenomena)

Practices of listing in radiowaves started in WW2 when the army was trying to discepher voices or secret messages in radio stations. They heard strange voices, abnormal sounds of what seemed like other worlds or "mutante creatures".

<a href="https://parcevp.bandcamp.com/album/the-ghost-orchid-an-introduction-to-evp">The Ghost Orchid - An Introduction to EVP by Raymond Cass</a>

How to Listen:

Anyone with an interest in the study of survival of the human consciousness beyond physical death stands to learn and grow from investigating and/or conducting his or her own EVP research. There are many ways to approach the possible manifestations of post-mortem survival; perhaps the best attitude to take is to consider it a mix of both science and spirituality. Most researchers conduct recording sessions in their homes, on a regular basis. Frequency and consistency seem to aid in obtaining results.

What do you need to tape?

1: A tape recorder, obviously. Early recordings were made on reel- to-reel machines, then cassette decks. Anything with a built-in microphone or speakers has proven unreliable as they increase distortion and often pick up too much local motor noise, if recordings are made at high levels. The introduction of digital technology has greatly improved recording quality and is a still more preferable medium.

2: A microphone. Condenser mikes aren't up to scratch. You will end up hearing yourself talking and there will more than likely be a wall of hiss in the background. Good quality microphones can be bought at most hi-fi stores.

3: Decent headphones always come in handy. They can help to pinpoint sounds more specifically if used simultaneously with (loud) speaker playback

4: Good loudspeakers that can tolerate high volume levels, a stereo amplifier to drive them, and if possible, a graphic equalizer, so that you can filter out unnecessary frequencies.

5: A sound source. Try tuning to a frequency between stations on an AM/FM radio. You'll probably achieve better results on the AM waveband, as FM contains so much bleeding between the stations on an already overloaded dial. Seek out areas where white noise is the dominant sound. This same procedure can be applied to short-wave radio, where there are less frequencies. If utilizing the AM/FM or short wave bands doesn't appeal to you, try the air bands. These are frequencies air pilots and control towers use to communicate. The only earthly voices you are going hear will be clearly evident as air traffic communications, so if someone says, "This is your dead uncle," you can be sure it isn't a British Airways pilot. You might also try playing a record or making a tape of running water. Apparently both of these methods also work well.

7: A commitment to taping.

What should you expect?

Do not expect to hear anything the first time you tape, or perhaps the ten times after that. It seems to take about two weeks before most tapers get anything, or before their ear has been trained to distinguish a spirit voice, which might sound like a whisper, be low and tonal in pitch, be faster or slower than normal speech, or oddly accented. If you are successful, you will undoubtedly hear voices uttering strange, seemingly unintelligible words and phrases. You may hear calls for help from distressed souls. You may never receive messages from the people (in spirit) you love best, or if you do, you may hear from them only once or infrequently.

source https://www.anomalist.com/features/evp.html)

The Spiricom is a continuation of Konstantin Raudive research in building a device the was prone to recieveing messages from the dead. Certain radio frequency's , white noise or specific devices are used by active ghost hunters today. Radios remain popular such as the "spirit box" where a radio swipes fm and am range at a set speed continuously and constructs words out of a mashup of voices.

Dwelving in the circuits

Mutual induction

When two coils are brought in proximity to each other, the magnetic field in one of the coils tends to link with the other. This further leads to the generation of voltage in the second coil. This property of a coil which affects or changes the current and voltage in a secondary coil is called mutual inductance. source

Any moving charge creates a magnetic as well as electric field around it. So in electromagnetic induction when certain current is passed through conductor it creates a magnetic field around itself. And when any other conductor comes in the effective distance then this magnetic field acts on the electrons of that conductor and makes them flow(remember that either magnetic field should be time varying or you should be moving your 2nd conductor back and forth then only the charge will flow in 2nd conductor).

As we send in sound in our circuits we are actually sending electricity that varies and modulates. The electricity moves around the electrons that are in these conductive elements. This creates an electromagnetic field around our conductive material, component. Our inducteur also made of condcutive material, enters the electromagnetic field (EMF) of the circuit and through the induction effect it will pick up the energy wirlessly of our moving electrons.