Murmures Electromagnétiques

Wirlessness

chart_of_eletromagne…jpg

Becoming an antenna

Western media archaeology was influenced by the practices of mediums exploring the invisible ethers collaborating and inventing new ways to wirelessly communicate in the mid XIXth & XXth century using body's, fluids, electricity, craft, electromagnetism, radio, occult energies and experimental science to channel with the cosmos, human and non human entities, the weird and the unknown.

The sound of the invisibles

Télécommunications with the 1st electrical telegraphe started laying cables to interconnect the atlantic to europe channeling human voices, unknown energies that were later discoverd as natural electromagnetique effects of the ionosphère (VLF). Conductive elements such as eath, salt water and metal parts started to become wires or antennas that would recieve chaotic messages where the invisble starts to become audible as if electricty and media were interfaces that were prone to be easily modulated or interfeed with non materialistic entities or distant human voices that seemed to spill to other destinators. Barbeled wires from farms would have tiny voices emanting form the 1st transmissions of radio waves or solar activting whistling on telephonic conversations.

VLF

http://www.vlf.it/

http://www.xxx-clairewilliams-xxx.com/site/assets/files/1427/vlf_a_sound_artists_guide.pdf

http://www.xxx-clairewilliams-xxx.com/site/assets/files/1427/vlf_a_sound_artists_guide-_second_edition.pdf

Portable Crystal radio set
Portable Crystal radio set

The arrival of télecommunications and numeros technological inventions and scientific discoveries of the 19th c. derived the human to human interaction and made place for invisible energies and entities that were inviting themselves, manifestating through raps, knocks, cranks, lights, ectoplasmic slime and moving objects in domestic houses with no distinction of social class.

The spiritualist formed a mouvement that entered the United states and the Europe in (1848 Fox sisters). Sounds that seem to be produced by invisble entities trying to communicate with the living from another world. Mediums were interfaces between the living and non living, there bodies would be visited and used to communicate through sounds, regular spirits companionions that would travel with them and appear or be heared in medium seances.

Spirit trumpets, ouja boars, planchetta and other wierd instruments were created to communicate more efficantly with entities who had messages to pass.

Planchetta for automatic writing

EVP (Electronic Voice Phenomena)

Practices of listing in radiowaves started in WW2 when the army was trying to discepher voices or secret messages in radio stations. They heard strange voices, abnormal sounds of what seemed like other worlds or "mutante creatures".

<iframe style="border: 0; width: 100%; height: 42px;" src="https://bandcamp.com/EmbeddedPlayer/album=4135223582/size=small/bgcol=ffffff/linkcol=0687f5/track=3908367620/transparent=true/" seamless><a href="https://parcevp.bandcamp.com/album/the-ghost-orchid-an-introduction-to-evp">The Ghost Orchid - An Introduction to EVP by Raymond Cass</a></iframe>

How to Listen:

Anyone with an interest in the study of survival of the human consciousness beyond physical death stands to learn and grow from investigating and/or conducting his or her own EVP research. There are many ways to approach the possible manifestations of post-mortem survival; perhaps the best attitude to take is to consider it a mix of both science and spirituality. Most researchers conduct recording sessions in their homes, on a regular basis. Frequency and consistency seem to aid in obtaining results.

What do you need to tape?

1: A tape recorder, obviously. Early recordings were made on reel- to-reel machines, then cassette decks. Anything with a built-in microphone or speakers has proven unreliable as they increase distortion and often pick up too much local motor noise, if recordings are made at high levels. The introduction of digital technology has greatly improved recording quality and is a still more preferable medium.

2: A microphone. Condenser mikes aren't up to scratch. You will end up hearing yourself talking and there will more than likely be a wall of hiss in the background. Good quality microphones can be bought at most hi-fi stores.

3: Decent headphones always come in handy. They can help to pinpoint sounds more specifically if used simultaneously with (loud) speaker playback

4: Good loudspeakers that can tolerate high volume levels, a stereo amplifier to drive them, and if possible, a graphic equalizer, so that you can filter out unnecessary frequencies.

5: A sound source. Try tuning to a frequency between stations on an AM/FM radio. You'll probably achieve better results on the AM waveband, as FM contains so much bleeding between the stations on an already overloaded dial. Seek out areas where white noise is the dominant sound. This same procedure can be applied to short-wave radio, where there are less frequencies. If utilizing the AM/FM or short wave bands doesn't appeal to you, try the air bands. These are frequencies air pilots and control towers use to communicate. The only earthly voices you are going hear will be clearly evident as air traffic communications, so if someone says, "This is your dead uncle," you can be sure it isn't a British Airways pilot. You might also try playing a record or making a tape of running water. Apparently both of these methods also work well.

7: A commitment to taping.

What should you expect?

Do not expect to hear anything the first time you tape, or perhaps the ten times after that. It seems to take about two weeks before most tapers get anything, or before their ear has been trained to distinguish a spirit voice, which might sound like a whisper, be low and tonal in pitch, be faster or slower than normal speech, or oddly accented. If you are successful, you will undoubtedly hear voices uttering strange, seemingly unintelligible words and phrases. You may hear calls for help from distressed souls. You may never receive messages from the people (in spirit) you love best, or if you do, you may hear from them only once or infrequently.

source https://www.anomalist.com/features/evp.html)

The Spiricom is a continuation of Konstantin Raudive research in building a device the was prone to recieveing messages from the dead. Certain radio frequency's , white noise or specific devices are used by active ghost hunters today. Radios remain popular such as the "spirit box" where a radio swipes fm and am range at a set speed continuously and constructs words out of a mashup of voices.

Konstantin Raudive

Radiesthesia: l'art de la sourcellerie

La radiesthésie est un procédé divinatoire de détection reposant sur la croyance selon laquelle les êtres vivants seraient sensibles à certaines radiations1 qu'émettraient différents corps, selon l'abbé Bouly. Elle permettrait ainsi de localiser des sources, de retrouver un objet perdu, un trésor ou une personne disparue, d'établir un diagnostic médical, de déterminer la profondeur d'un puits5

On doit le mot « radiesthésie » (du latin radius, « rayon » et du grec aisthêsis, « sensibilité ») aux abbés Bouly et Bayard11. La radiesthésie est, selon la définition de l'abbé Bouly, la croyance en la faculté d'exercer cette sensibilité pour découvrir, grâce au pendule ou à la baguette, ce qui est caché aux facultés normales mais dont l'existence est réelle ou imaginaire. (wikipedia)

Mesmer et le magéntisme animal
Mesmer et le magéntisme animal

L'influence des planètes sur le corps humain", Franz Antoine Mesmer, 1766

"Un fluide physique subtil emplit l'univers, servant d'intermédiaire entre l'homme, la terre et les corps célestes, et entre les hommes eux-mêmes "

“Dowsers also project an intent to find or a request for the location of a given object or target. One could say that it is a mental or psychic pseudo pod of possibly infinite length. An answer to the request seems to be fed back via their bodies in the form of molecular movements, which – because they are usually not consciously perceived – are called involuntary. The muscles cause the dowsing rod or pendulum to move, thereby objectifying the muscular action that, self-generated by the requester, cannot really be termed automatic.”

As dowsing became more universally practiced and accepted, it acquired a formal name: Radiesthesia. Bird defined radiesthesia as “a word coined in the 1930s by the Abbe Bouly in France. It is taken from a Latin root for ‘radiation’ and a Greek root for ‘perception’ and thus means literally the ‘perception of radiations.’ At one time the Journal of the British Society of Dowsers was called RADIO-PERCEPTION. The word has been adopted all over the European continent with the exception of the so-called ‘socialist’ countries, which have adopted a newly coined Russian word, Biofizicheskii Metod or ‘biophysical method.’”

Bird and the radiesthesiologists leave us with no conclusions regarding the exact nature of the radiations themselves. He refers those frustrated with the lack of scientific explanation to Thomas Edison. When asked what electricity was Edison replied, “I don’t know, but it works.”

source: The Secret Art, A Brief History of Radionic Technology for the Creative Individual by Duncan Laurie

Radiesthesie mentale, boîte a sable de Mertens
Radiesthesie mentale, boîte a sable de Mertens
Des l‘antiquité, les coquilles Saint Jacques, étaient utilisées et portées pour se protéger de la sorcellerie, du mauvais sort et des maladies.
Des l‘antiquité, les coquilles Saint Jacques, étaient utilisées et portées pour se protéger de la sorcellerie, du mauvais sort et des maladies.
Anthe_hieronymusbox_two_paul_laffoley_1991
Anthe_hieronymusbox_two_paul_laffoley_1991
Electroculture antenna
Electroculture antenna

scalar energy coil

Induction explained

Mutual induction

When two coils are brought in proximity to each other, the magnetic field in one of the coils tends to link with the other. This further leads to the generation of voltage in the second coil. This property of a coil which affects or changes the current and voltage in a secondary coil is called mutual inductance. source

Any moving charge creates a magnetic as well as electric field around it. So in electromagnetic induction when certain current is passed through conductor it creates a magnetic field around itself. And when any other conductor comes in the effective distance then this magnetic field acts on the electrons of that conductor and makes them flow(remember that either magnetic field should be time varying or you should be moving your 2nd conductor back and forth then only the charge will flow in 2nd conductor).

As we send in sound in our circuits we are actually sending electricity that varies and modulates. The electricity moves around the electrons that are in these conductive elements. This creates an electromagnetic field around our conductive material, component.

Our inducteur also made of condcutive material, enters the electromagnetic field (EMF) of the circuit and through the induction effect it will pick up the energy wirlessly of our moving electrons.

Harvesting electricity

Eva C materilaising electricity from her body at a seance 1912
Eva C mediumnistique seance generating electricity
Watson electrical demonstrations 1748
Watson electrical demonstrations 1748

Machine electrique 1747
Machine electrique 1747
The flying boy by Stephen Gray Generating electricty with static energy, bodys, silk, sand, wheels 1867 source Les merveilles de la science Figuier Louis